TV Flashback: I GIOCHI DEL DIAVOLO

The Italian TV miniseries I GIOCHI DEL DIAVOLO: STORIE FANTASTICHE DELL’OTTOCENTO (THE DEVIL’S GAMES: FANTASTIC STORIES OF THE NINETEENTH CENTURY) consists of six mini-films by varied directors. Each episode runs a little over an hour, and each is based on a 19th Century horror story.

HISTOIRES EXTRAORDINAIRES

HISTOIRES EXTRAORDINAIRES is the title of the first volume of Charles Baudelaire’s renowned French translations of the writings of Edgar Allan Poe. This volume, first published in 1856, is credited with inspiring Poe’s exalted reputation in Europe, so it makes sense that HISTOIRES EXTRAORDINAIRES was the name given to not one but two French-made compilations of Poe-adapted films.

APOCALYPSE CULTURE at 25

Edited by the late journalist/publisher Adam Parfrey (1957-2018), APOCALYPSE CULTURE is a complacency shattering compilation of articles, interviews and artwork dealing with the abhorrent, apocalyptic and plain weird

THE SIGNAL

Hardly the “groundbreaking indie masterpiece” it’s been made out to be, THE SIGNAL (2007) is a semi-experimental anthology film that’s scary, funny and suspenseful—but still not all it could be

SHAKE, RATTLE & ROLL

Here it is, the 1984 three-parter that launched the phenomenally popular—in its native Philippines, at least—SHAKE, RATTLE & ROLL film series

2014: Bedlam in Print

2014 was an above-average year for books in my view. Quite a few terrific titles turned up from both established and debuting authors, with a few, I’m certain, that will go on to become classics

TWO EVIL EYES

A dream project for longtime horror buffs, or so it seemed, this two-parter teamed George Romero and Dario Argento, each delivering an hour-long adaptation of an Edgar Allen Poe story

TRILOGY OF TERROR

A classic made-for-TV three-parter that’s best remembered for its concluding segment, in which actress Karen Black is menaced by an evil doll

THREE

An Asian three-parter with segments directed by Korea’s Kim Jee-Woon, Thailand’s Nonzee Nimibutr and Hong Kong’s Peter Ho-Sun Chan