The Apocalypse Quartet of Konstantin Lopushansky
Russia’s Konstantin Lopushansky is one of the greatest filmmakers you’ve never heard of
Russia’s Konstantin Lopushansky is one of the greatest filmmakers you’ve never heard of
With the LORD OF THE RINGS films now ensconced in the “classic” cinema pantheon, I’d say it’s an opportune time to take a look at the output of their director
An eighties horror film that at least tries to spin a character-based, emotion-centered yarn that doesn’t rely on derivative splatter
1984 was an odd yet pivotal time
The grindhouse and the arthouse: two distinct modes of cinema that would appear to be leagues removed–and for the most part they are.
Nuclear war, as we all well know, has been the subject of many a movie
Today marks the 40th anniversary of the June 20, 1975 release of Steven Spielberg’s JAWS
The shocking death of Wesley Earl Craven on August 30, 2015 has led me to conduct a serious reappraisal of his place in the horror firmament.
Right now we find ourselves in the midst of an important movie related thirty-year anniversary: the summer of 1986. No, that period was not, as some are claiming, “the Best Summer Movie Season Ever,” but it was seminal for popular filmmaking.
The genesis of the following piece occurred upon seeing PREDATOR for the first time. That was back in 1987, and I, naïve though I was back then, couldn’t help but flash back to two then-recent hits: RAMBO from 1985 and the following year’s ALIENS