BLOODY PIT OF HORROR
A far stupider-than-average Italian horror/trash fest from the mid sixties. It’s kinda fun, but don’t expect too much.
BLOOD FEAST
What is it about H.G. Lewis’s flicks that are so much fun? They’re not “good” by any stretch of the imagination—indeed, they’re often downright atrocious. Case in point: BLOOD FEAST, the first of Lewis’ gore epics
THE BLIND BEAST (Film)
A wildly fetishistic, claustrophobic Japanese production made in 1968, THE BLIND BEAST (a.k.a. MOJU) is profoundly bizarre
BLACK SUNDAY (1961)
This was the first solo-directed film by the great Mario Bava, and remains his best-known work. There’s an excellent reason for that, and for the fact that actress Barbara Steele became an icon.
BEYOND LOVE AND EVIL
The undoubted magnum opus of French exploiter Jacques Scandelari, this is an undeniably striking, if laughably pretentious, explosion of psychosexual weirdness
EVENINGS ON A FARM NEAR DIKANKA
A comedic and fantastic Russian adaptation of Nikolai Gogol’s 1831 novella THE NIGHT BEFORE CHRISTMAS that, despite its “classic” status in some quarters, is too antic and overwrought by far
EVEN DWARFS STARTED SMALL
A strange, anarchic masterpiece from German filmmaker Werner Herzog, who was mining a vein similar to the films of David Lynch and Harmony Korine years before those guys came into vogue
THE EVE OF IVAN KUPALO
This 1968 Russian mind bender has sorcery, murder, tortured romance, mass hallucinations and bold, frenzied visuals worthy of Dario Argento or Alejandro Jodorowsky
SPIDER BABY
Time hasn’t been kind to this loveable 1964 oddity, but it remains a memorable film with unforgettable performances
SLAUGHTER OF THE VAMPIRES
An unauthorized take on DRACULA, SLAUGHTER OF THE VAMPIRES isn’t very good, but has amassed a following due, I’m assuming, to the fact that it’s so old