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Reviews & Commentary by Adam Groves
THE MUMMY (1932)
A rarity: a golden age horror film that almost holds up
CRY FOR ME, BILLY
One of the more obscure entries in the revisionist western craze of the 1970s, this quasi-art film (given new life by Quentin Tarantino and Roger Avary) hails from 1972
THREE O’CLOCK HIGH
A John Hughes wannabe that’s almost good
IL CASO VALDEMAR
The world’s first gore film
REMO WILLIAMS: THE ADVENTURE BEGINS
…and ended!
ANIARA
The one and only science fiction epic poem, originally published in Swedish and reissued in English by Stephen Klass and Leif Sjöberg
DOORWAYS TO THE DEADEYE
This is the first novel by Eric J. Guignard, of 2018’s excellent short story collection THAT WHICH GROWS WILD
LUCIO FULCI’S THE GATES OF HELL
I’ve been interested in this comic series, adapted from Lucio Fulci’s anti-classic CITY OF THE LIVING DEAD, ever since first hearing about it in the late nineties
HASHISH
Germany’s premiere example of “drug writing,” 1902’s HASHISH by Oscar A.H. Schmitz appears here in its first ever English translation
EDITH’S DIARY
A late period novel by the great Patricia Highsmith that showcases its author’s past-her-prime pedigree all too well
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Yuletide Horror Fiction
Christmas-themed horror fiction is as rich and varied as Yuletide horror cinema.
A Dirge for Some Dead Dot-Coms
I’ve seen countless horror websites come and go, most of which will not be missed by me or probably anyone else. Below you’ll find listings for some departed horror-themed sites that I feel were worthy
Christmas & Horror: Two Great Tastes that Taste Great Together!
Christmas is a perfect time for some horror movies…some very special horror movies!
The BRAIN PLANT Tetralogy
This unjustly forgotten product of the late-1960’s porno underground, consisting of the novels LOVELY, HEALER, OUT and GLUE FACTORY (all from 1969), is among the most complex and ambitious examples of pornographic literature — or, if you prefer fuckbooks — ever written.
Claude Seignolle in English
Back in 1983 the late Lawrence Durrell predicted that the French horror writer Claude Seignolle “will draw a large audience in the United States and that his place in literature eventually will be as assured as Ambrose Bierce’s is today.”