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The Bedlam Files Website

Reviews & Commentary by Adam Groves

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SUPER MARIO BROS.

The first-ever video game inspired movie, and (no joke) one of the most ambitious big studio releases of the 1990s

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MOROZKO

The only Russian fairy tale film of the 1920s, and the premiere example of Soviet-made folk horror

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ALEX JOSEPH AND HIS WIVES

The very definition of a curio: a 1977 quasi-documentary by the late schlockmeister Ted V. Mikels about a notorious real-life polygamist

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THE VAMPIRES OF ALFAMA

A most interesting and unprecedented addition to vampire lore from the French filmmaker and sometime novelist Pierre Kast

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THE COFFIN THINGS

Michael Avallone (1924-99) was one of the most prolific hacks of the latter half of the Twentieth Century, and this is one of his better novels.

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MANIAC

One of the sickest surprises of December 2020 was the release of this graphic novel, which breaks new ground in splatterific excess

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COOL WORLD

In the lexicon of unmade, or rather ill-served, screenplays, COOL WORLD deserves a place of honor

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H.R. GIGER’S NECRONOMICON

One of several large format hardcovers covering H.R. Giger, the Swiss surrealist whose paintings have irrevocably changed the course of fantastic art

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GODS IN SPANDEX

A sequel to the well received seventies-sploitation anthology GODS IN POLYESTER. GODS IN SPANDEX is a similarly formatted compilation that focuses on obscure exploitation films from the 1980s

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GODS IN POLYESTER

One of the greatest (and most difficult to locate) film books of the ‘00s was this massive collection of first-person recollections by participants in the horror-exploitation movie scene of the 1970s

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THE GHASTLY ONE

This book, one of the more fascinating and unorthodox moviemaker bios I’ve read, has already garnered praise from seemingly every media outlet in the universe. I’ll be adding to that praise.

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2017: A Look Back in Bedlam

Here we have the latest installment of my Look Back in Bedlam end-of-the-year overview of topics that are of particular interest to this site–and Bedlam, it turns out, was indeed the word for 2017

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