RED DAWN

“Better dead than red” cinema got a memorable 1980s rethink in RED DAWN, a “what-if?” narrative about a Russian invasion of the US

THE WAR GAME

A profoundly shattering, staunchly reality-based look at the effects of a possible nuclear war on Great Britain

THE FARMER

A revenge-themed grindhouse item from 1977 that appears to have had Important Cinema aspirations

TOPOR AND ME

The only film ever directed by the Dutch actress/artist Sylvia Kristel, and a skilled enough piece of work to make one regret that she didn’t helm anything else