CLOVERFIELD vs. DIARY OF THE DEAD
January of 2008 saw the release of CLOVERFIELD, a digitally shot monster mash. A month later George Romero’s DIARY OF THE DEAD appeared, another digital freak-out
January of 2008 saw the release of CLOVERFIELD, a digitally shot monster mash. A month later George Romero’s DIARY OF THE DEAD appeared, another digital freak-out
Exploring the real differences between art and exploitation cinema–which, as it turns out, are pretty slim
We have a new Romero movie out, LAND OF THE DEAD, that had a disappointing opening, followed by a precipitous 74 percent drop in its second week of release
Here I’ll take some potshots at a number of horror’s most revered figures