NIGHT OF TEARS
NIGHT OF TEARS is actually a tepid and uneventful potboiler that attempts to blend three distinct subgenres–gothic romance, alien invasion and crime thriller–into a not-very-satisfying whole.
NIGHT OF TEARS is actually a tepid and uneventful potboiler that attempts to blend three distinct subgenres–gothic romance, alien invasion and crime thriller–into a not-very-satisfying whole.
Jeffrey Thomas is one of the most original authors on the scene, and the Bram Stoker award-nominated MONSTROCITY is one of his key works.
Get this: somewhere in the skuzzier regions of Astoria, Oregon a failed musician is afflicted with a permanent erection while having to contend with human-sized preying mantises, which include the hero’s own wife
MUTANOIDS isn’t entirely without interest, it being the most over-the-top alien invasion themed splatter-thon I’ve ever encountered.
A mildly diverting alien invasion horror story involving extraterrestrial tourists on a hunting expedition in a small Montana community.
Interesting the book is, it turns out, even if it plays fast and loose with Cohen’s screenplay–it’s possible that author C.K. Chandler may have worked from an unused draft of the script, because much is different from the finished film.
Now, however, a full 110 years later, John Antoine Nau’s ENEMY FORCE seems quite dull and uninvolving. The fault could be with the English translation–or, as the cover proclaims, “adaptation”–by Michael Shreve, who often seems puzzled by the text (
I’ve previously crowned CODEX SERAPHINIANUS the strangest book ever printed, but this relic from 1975 gives that tome a serious run for its money in sheer nonlinear weirdness.
A graphic novel horror/noir pastiche that’s funny and outrageous
Why should we care about this novella-length ALIENS knock-off? Because it was written by Stephen R. Bissette, the famed illustrator, editor and horror movie scholar who’s made an indelible mark on the horror field.