AELITA
It’s a fact that science fiction dates faster and more dramatically than any other genre, especially when it hails from early-1920s Russia, as is the case with AELITA by Alexei Tolstoy
It’s a fact that science fiction dates faster and more dramatically than any other genre, especially when it hails from early-1920s Russia, as is the case with AELITA by Alexei Tolstoy
Low budget and science fiction might seem mutually exclusive terms, but I believe the following ten films prove otherwise
It’s a fact that in certain situations a low budget can be a virtue
Here it is, the first installment of my “Bedlam in Print” overview of the previous year’s publishing output.
This is a vital acquisition for all true film buffs, a memoir by a legendary set decorator about his work on STAR WARS and ALIEN
NIGHT OF TEARS is actually a tepid and uneventful potboiler that attempts to blend three distinct subgenres–gothic romance, alien invasion and crime thriller–into a not-very-satisfying whole.
Jeffrey Thomas is one of the most original authors on the scene, and the Bram Stoker award-nominated MONSTROCITY is one of his key works.
Get this: somewhere in the skuzzier regions of Astoria, Oregon a failed musician is afflicted with a permanent erection while having to contend with human-sized preying mantises, which include the hero’s own wife
MUTANOIDS isn’t entirely without interest, it being the most over-the-top alien invasion themed splatter-thon I’ve ever encountered.
A mildly diverting alien invasion horror story involving extraterrestrial tourists on a hunting expedition in a small Montana community.