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Reviews & Commentary by Adam Groves
CRIMES OF THE FUTURE (1970)
An hour long mini-feature that’s required viewing for any David Cronenberg completest
THE BROOD (Film)
The horror movie inverse of KRAMER VS. KRAMER?
BABY: SECRET OF THE LOST LEGEND
Few people remember this adventure-oriented Disney disaster from 1985
DEADLINE
A halfway worthwhile film, meaning its first half is provocative and compelling, and its second not so much
THE DEVIL AT YOUR HEELS
This National Film Board of Canada produced documentary is in the grand tradition of quirky Canadian nonfiction cinema
NIGHT OF THE CRABS
I can’t imagine how anyone could not get a kick out of this novel’s premise of giant flesh-eating crabs rampaging through a British seaside community.
NIGHT OF TEARS
NIGHT OF TEARS is actually a tepid and uneventful potboiler that attempts to blend three distinct subgenres–gothic romance, alien invasion and crime thriller–into a not-very-satisfying whole.
A NIGHT IN THE LONESOME OCTOBER
I’ve always found Zelazny overrated, after all, and nor am I too fond of the type of whimsical silliness that suffuses A NIGHT IN THE LONESOME OCTOBER.
NIGHT IN THE LONESOME OCTOBER
Like quite a few (if not most) of Laymon’s novels, it pivots on horny young people, is related in startlingly immediate minute-by-minute fashion, and is a damn satisfying read overall.
The Night Cache
A recent entry in PS Publishing’s Holiday Chapbook series, it’s neither profound nor Earth-shaking, but leaves a mark nonetheless.
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More on Holy Indies
Evangelical cinema and horror movies: the comparison might seem perverse, but I say it’s valid. Consider…
The Two Davids
David Cronenberg and David Lynch: two visually gifted, unabashedly idiosyncratic filmmakers, both drawn to bizarre and grotesque subject matter
The Novels of Michael Blodgett
If you know of the late Michael Blodgett (1939-2007) it’s most likely as a beefcake actor, yet in my view Blodgett’s most enduring work was done in the three unjustly forgotten novels he published in the late seventies and early eighties
On PERSONA
Ingmar Bergman’s PERSONA: not a true “horror” film perhaps, but certainly one of the cinema’s most potent explorations of fear, apprehension and discontent
APOCALYPSE CULTURE at 25
Edited by the late journalist/publisher Adam Parfrey (1957-2018), APOCALYPSE CULTURE is a complacency shattering compilation of articles, interviews and artwork dealing with the abhorrent, apocalyptic and plain weird
