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The Bedlam Files Website

Reviews & Commentary by Adam Groves

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HAPPINESS

A 1998 film that in its pitiless depictions of loneliness, jealousy and boredom is more relevant to the iPhone age than the time in which it was made

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MONSIEUR ROBERT HOUDIN

Those wanting a straight biographical portrait of the legendary French magician Robert Houdin should probably avoid this 1966 telefilm, whose treatment is far from orthodox

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THE DOOR IN THE WALL

An H.G. Wells adaptation that offered up a new, and never again utilized, innovation: The Dynamic Frame, in which the aspect ratio is shifted to serve “the dramatic needs of the story”

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CHOICE CUTS

Initially published back in 1965, CHOICE CUTS is, despite some affecting passages, strictly a product of its time

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TRAPPED

I maintain that the Edmund Plante authored 1987 horror-fest TRANSFORMATION is a rotgut classic.  TRAPPED, Plante’s similarly oriented 1989 follow-up, is not.

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THE KILLER

The apotheosis of the British author/philosopher Colin Wilson’s crime fiction was THE KILLER, presented by the UK’s Savoy Books in its most complete version

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GILLIAMESQUE

A “Pre-Posthumous Memoir” by the outspoken London-based cartoonist-turned-director Terry Gilliam, and everything you’d expect

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NEUE SLOWENISCHE KUNST

From the underground publishing outfit Amok Books, a sumptuously designed art book about a most unique European art collective

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