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The Bedlam Files Website

Reviews & Commentary by Adam Groves

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A CLOCKWORK ORANGE

A film that was quite controversial upon its initial release in 1971 and remains a topic of enormous contention

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X

A film that’s quite typical of Ti West’s filmography at its best and worst

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ESME, MY LOVE

A powerful two-character indie that combines superbly rendered imagery with innovative sound design

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LAST CASE AT A BAGGAGE AUCTION

This is the third major work I’ve read by Eric J. Guignard, following the collection THAT WHICH GROWS WILD and the novel DOORWAYS TO THE DEADEYE, and it exhibits all the attributes I’ve come to expect

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THE ORPHEUS PROCESS

Another worthwhile dispatch from the Dell Abyss line of horror paperbacks that flourished in the early 1990s

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THE LIVING DEAD

Clocking in at nearly 700 densely packed pages, THE LIVING DEAD seeks to be nothing less than the zombie novel to end all zombie novels

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SHOCK VALUE

The subtitle says it all: “How A Few Eccentric Outsiders Gave us Nightmares, Conquered Hollywood, and Invented Modern Horror”

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SCREEN VIOLENCE

Violence in cinema was a hot issue back in 1996, as evinced in this British anthology of passionate essays on the subject

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HORROR PANEGYRIC

A well-written overview of the Savoy published Lord Horror novels, HORROR PANEGYRIC deserves credit simply for the fact that it’s currently the only existing book-lengthy study of these important works

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2017: Bedlam in Print

Assembling a best-books-of-the-year list is always a dicey proposition. Quite simply, nobody can be expected to track down and read every worthwhile book printed over the course of the previous year…

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2017: The Year in Bedlam

What follows is the latest installment of the Year in Bedlam overview of the previous year’s best and worst movies, according to yours-truly

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2017: A Look Back in Bedlam

Here we have the latest installment of my Look Back in Bedlam end-of-the-year overview of topics that are of particular interest to this site–and Bedlam, it turns out, was indeed the word for 2017

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