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Reviews & Commentary by Adam Groves
LEFT BANK
An almost-good Dutch import from 2008 that falls somewhere between ROSEMARY’S BABY and THE WICKER MAN
LE GRAND DEPART
A 1972 French film shown almost entirely in negative exposure, which in itself makes it worth a watch
THE LAUGHING DEAD
The filmmaking debut of novelist S.P. Somtow, and further proof, after Stephen King’s MAXIMUM OVEDRIVE, that horror novelists are better off behind the typewriter
THE LAST WAVE
Australian director Peter Weir’s follow-up to his masterful PICNIC AT HANGING ROCK was this dreamlike exercise in apocalyptic fantasy that’s nearly as powerful as the earlier film
THE LAST SUPPER
A clever and engaging black comedy that benefits from fine performances and understated direction
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