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Reviews & Commentary by Adam Groves
SPIDER BABY
Time hasn’t been kind to this loveable 1964 oddity, but it remains a memorable film with unforgettable performances
SPECIAL EFFECTS
This 1984 cheapie appears to be writer-director Larry Cohen’s answer to PEEPING TOM, a unique and intelligent account of voyeurism and exploitation in the movie business that, as usual with Cohen, is all-but done in by its low budget and uninspired direction
SOUTHERN COMFORT
This horrific bayou-set kill fest is a key action-suspense film of the 1980s, and one of the finest-ever outings by director Walter Hill
SOUL VENGEANCE
This “blaxploitation” movie is infamous for a one-minute scene near the end involving a homicidal penis…which is indeed an eye-opener, but the rest of the film is pretty crappy
SONNY BOY
The 1990s were filled with independent films marketed, most often misleadingly, as “bizarre”, “shocking”, “subversive” and other similarly enticing adjectives. For a nineties indie that really is all those things go directly to SONNY BOY
ROUGH BEASTS
As the title warns, the stories collected here are from the early days of Harlan Ellison’s career, specifically the late 1950s
THE ROOM
There are so many things wrong with THE ROOM, the first (and thankfully only) novel by Canadian author Michael Grey, that it’s difficult to know where to start the criticism
ROBOCOP VERSUS THE TERMINATOR
ROBOCOP VERSUS THE TERMINATOR, which as the title indicates brings together the universes of ROBOCOP and THE TERMINATOR, has been called “The Greatest Crossover of all Time.” I don’t agree
THE ROACHES HAVE NO KING
You veteran horror readers may recall the mini-tempest this novel drummed up back in 1990
RIPPLE
A graphic novel that may not be horrific enough for my readers, yet will almost certainly be too freaky and aberrant for the mainstream
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