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Reviews & Commentary by Adam Groves
BARRABAS (1919)
This thirteen part serial hails from 1919. It was the final crime-themed work of France’s incomparable Louis Feuillade
WHY DOES HERR R. RUN AMOK?
A maddening, thought-provoking and altogether brilliant portrayal of a murderer that doesn’t announce itself as such until the final ten minutes!
BLOODY FRIDAY
One of the Twentieth Century’s premiere examples of Krautsploitation, this German-Italian co-production is an exuberantly exploitive film that revels in violence and sleaze
CHRISTIANE F.
In the annals of “just say no” cinema this 1981 film is unquestionably one of the most powerful entries
THE DARK PLANET
Comic book artists rarely ever make for good filmmakers–see this experimental sci fi reverie co-directed by the renowned comic book writer/illustrator Richard Corben
A GLIMPSE OF THE NUMINOUS
I can honestly say that, in a most unusual occurrence, nearly all the tales in A GLIMPSE OF THE NUMINOUS are defiantly unique, if not downright bizarre.
Glass Coffin Girls
I’ll have to say that based on the nine bizarre tales collected in GLASS COFFIN GIRLS, Paul Jessup definitely has the touch.
The Girl Who Passed for Normal
An intriguing exercise in psychological horror that tells a predictable story yet constantly keeps the reader on edge. It contains a hint of the macabre naturalism of Patricia Highsmith mixed with the narrative trickery of Robert Bloch.
GHOULS IN MY GRAVE
Here we have one of the great unknown masterworks of horror fiction.
THE GHOSTWRITER
Reading this deceptively uneventful mind-boggler, two things immediately became apparent: 1). nobody writes like Zoran Zivkovic, and 2). nobody else could have conceived THE GHOSTWRITER.
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