SWEETHEART, SWEETHEART
Not a bad novel by any means, but SWEETHEART, SWEETHEART is overlong and not entirely satisfying
Not a bad novel by any means, but SWEETHEART, SWEETHEART is overlong and not entirely satisfying
This anthology contains four tales of the supernatural, written by Leo Tolstoy’s cousin Alexis
A sui generis example of big-hearted fantasy spiced with unsentimental magic realism
COYOTE may be an extended hallucination or an eccentric first-person crime saga; either way, it’s a deeply chilly and upsetting book
A promising but not entirely successful horror novel that debuted at the wrong time
A long-forgotten German horror-science fiction-fantasy epic, translated by indefatigable Joe E. Bandel
Initially published back in 1965, CHOICE CUTS is, despite some affecting passages, strictly a product of its time
I maintain that the Edmund Plante authored 1987 horror-fest TRANSFORMATION is a rotgut classic. TRAPPED, Plante’s similarly oriented 1989 follow-up, is not.
Heavy reading this novel isn’t, but in terms of sheer grossness it’s a standout.
The apotheosis of the British author/philosopher Colin Wilson’s crime fiction was THE KILLER, presented by the UK’s Savoy Books in its most complete version