2017: The Year in Bedlam

What follows is the latest installment of the Year in Bedlam overview of the previous year’s best and worst movies, according to yours-truly

I BELIEVE IN SANTA CLAUS

France was the source of this 1984 Christmas themed atrocity, which is horrendous—albeit quite endearingly so

CLOUDS

Filipino horror trash that was apparently marketed as a porno flick in its native land—a designation that isn’t entirely off the mark given the copious sex scenes and trashy overall vibe